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2013년 6월 30일 일요일

Fred Armisen: 'I Think It's Clear' That I've Left 'SNL'


It's official: After 11 years, Fred Armisen is done with "Saturday Night Live."

In an interview with Splitsider, not only did the "Portlandia" star confirm his exit, but he said he felt he went out with a bang.

"I think it's clear," Armisen said. "I didn't do any kind of official announcement, but I really felt like it was obvious. An ending that was a love letter to all the music I grew up with, and also to my friends and to SNL and to Lorne and to the cast. There was a lot of emotion attached to it, but it was a very positive emotion."

The ending Armisen is referring to is a sketch he performed in May in which he played Ian Rubbish, a member of an English punk rock band. He was joined onstage by his "Portlandia" co-star Carrie Brownstein, plus several music legends including Sex Pistols guitarist Steve Jones, Aimee Mann and Michael Penn, Sonic Youth's Kim Gordon and Dinosaur Jr.'s J Mascis.

Rumors of Armisen's departure began to surface earlier this year, and last month "SNL's" head honcho Lorne Michaels said he didn't know if Armisen and "SNL" player Jason Sudeikis had made a decision as to whether they would stay or go.

“I don’t think so. I think they’re making their decisions, and we’ll know soon enough," he told The New York Times in May.

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In the gritty world of the NYPD, no one’s tougher than Det. Robert Ironside (Blair Underwood, “The Event,” “In Treatment”). He’s a fearless cop who won’t stop until the guilty are brought to justice. He and his trusted, handpicked team of specialists ? Virgil (Pablo Schreiber, “The Wire” “Lights Out”), Holly (Spencer Grammer, “Greek,” “As the World Turns”) and Teddy (Neal Bledsoe, “Smash,” “Ugly Betty”), as well as his former partner Gary (Brent Sexton, “The Killing”) and boss, Det. Ed Rollins (Kenneth Choi, “Sons of Anarchy”) ? will do whatever it takes to solve New York’s most difficult and notorious crimes. As a detective, Ironside’s instincts are second to none, and those around him have to stay on their toes if they want to keep up because when his spine was shattered by a bullet two years ago, Ironside swore he’d never let a wheelchair slow him down.

Look who’s making the news again. One of New York’s most beloved news anchors, Mike Henry (Michael J. Fox, “Spin City,” “Family Ties”), put his career on hold to spend more time with his family and focus on his health after he was diagnosed with Parkinson’s disease. But five years later, with the kids busy growing up and Mike growing restless, it just might be time for him to get back to work. Having never wanted Mike to leave in the first place, his old boss Harris Green (Wendell Pierce, “The Wire,” “Treme”) jumped at the chance to get him back on TV. The trick, as it’s always been, was to make Mike think it was his idea. Now the plan is in motion and Mike will be back to juggling home, family, and career ? just like the old days, but only better.

Sean (Sean P. Hayes, “Will & Grace”) is a divorced gay dad who juggles a lot ? his successful but demanding career, offbeat employees, pushy mom Lorna (Linda Lavin, “Alice”) and weekends with his teenage daughter, Ellie (Sami Isler). So when she moves in full-time, it’s a whole new world. Never one to do anything halfway, Sean’s intent on being the best dad ever, so he loads up on parenting how-to books and plans Pinterest-worthy family dinners. But it seems his company’s new owner has decided Sean and his team should work longer hours, putting a damper on his homemaking plans and throwing a kink in Sean’s perfectly constructed work/life balance. Ellie sees this development as a plus. She loves her dad, but he’s clearly going overboard. From keeping his boss happy, employees motivated and enduring his mother’s tactless “advice” to raising a smart, grounded and healthy kid, it’s going to be a growing experience, to say the least. But if anyone can handle it all, it’s Sean. Thomas Lennon (“Reno 911”), Lindsay Sloane (“Weeds”) and Echo Kellum (“Ben and Kate”) also star.

For decades, ex-government agent Raymond “Red” Reddington (James Spader, “The Office,” “Boston Legal”) has been one of the FBI’s Most Wanted fugitives. Brokering shadowy deals for criminals across the globe, Red was known by many as “The Concierge of Crime.” Now, he’s mysteriously surrendered to the FBI with an explosive offer: He will help catch a long-thought-dead terrorist, Ranko Zamani, under the condition that he speaks only to Elizabeth “Liz” Keen (Megan Boone, “Law & Order: Los Angeles”), an FBI profiler fresh out of Quantico. For Liz, it’s going to be one hell of a first day on the job. What follows is a twisting series of events as the race to stop a terrorist begins. What are Red’s true intentions? Why has he chosen Liz, a woman with whom he seemingly has no connection? Does Liz have secrets of her own? Zamani is only the first of many on a list that Red has compiled over the years: a “blacklist” of politicians, mobsters, spies and international terrorists. He will help catch them all… with the caveat that Liz continues to work as his partner. Red will teach Liz to think like a criminal and “see the bigger picture”… whether she wants to or not. “The Blacklist” also stars are Diego Klattenhoff (“Homeland”), Harry Lennix (“Man of Steel”), Ryan Eggold (“90210”) and Ilfenesh Hadera (“Da Brick”).

Golden Globe winner Jonathan Rhys Meyers (“The Tudors”) stars in this provocative new drama as one of the world’s most iconic characters. It’s the late 19th century and the mysterious Dracula (Rhys Meyers) has arrived in London, posing as an American entrepreneur who wants to bring modern science to Victorian society. He’s especially interested in the new technology of electricity, which promises to brighten the night ? useful for someone who avoids the sun. But he has another reason for his travels: He hopes to take revenge on those who cursed him with immortality centuries earlier. Everything seems to be going according to plan… until he becomes infatuated with a woman who appears to be a reincarnation of his dead wife. Victoria Smurfit (“About a Boy”), Thomas Kretschmann (“King Kong”), Jessica De Gouw (“Arrow”), Oliver Jackson-Cohen (“Mr. Selfridge”), Nonso Anozie (“Game of Thrones”) and Katie McGrath (“Merlin”) also star.

Parents Dan Yoder (Mike O’Malley, “Glee,” “My Name Is Earl”) and wife Karina (Mary McCormack, “In Plain Sight,” “The West Wing”) find out on the day their daughter Molly (Ella Rae Peck (“Deception,” “Gossip Girl”) is graduating from high school with an acceptance to college, she announces she pregnant. Across town in East L.A., Junior Hernandez (Joseph Haro, “Glee,” “Awkward”), in the middle of his high school valedictorian speech, gets a text from girlfriend Molly that he’s going to be a daddy. Expectedly, Junior’s parents Miguel (Ricardo Chavira, “Desperate Housewives”) and Lisette (Justina Machado, “Six Feet Under,” “ER”) are also upset, as they now have Caucasians in the family. What follows is a crash course in culture blending as Molly and Junior decide they want to get married and, in doing so, bring together two very different families. The dads have the most difficult time reconciling while the moms take a softer approach to get to know one another. When the parents fully realize that their kids are serious about making a life together, the adults exhale and begin to come to terms with this new blended family and start to understand it will take, humor, love and tolerance to make it all work.

When confident slacker Danny Beeman (Chris D’Elia, “Whitney,” “Glory Daze”) takes Justin (comedian Brent Morin) on as a roommate, Danny unwittingly inherits Justin’s group of romantically challenged friends. Seeing himself as the ultimate player, Danny decides to teach the crew (who he dubs “The Undateables”) everything he knows about “the game of love.” For their first lesson, Danny takes the guys to an event hosted by his sister, Leslie (Bianca Kajlich, “Rules of Engagement”), who is a single mom with dating difficulties of her own. At first, Danny’s advice seems to pay off big-time: The shy guy talks to a girl, the no-filter dude learns it’s never OK to ask a woman when she’s due, and his nebbish roommate, Justin, goes home with a mystery woman. It’s not until the next day that they figure out it was Leslie. Here’s a refreshing comedy about the “do’s,” “don’ts” and “duhs” of dating.

It’s field trip day for the students of Ballard High School, a place that educates the children of Washington, D.C.’s elite, top-of-their-industry CEOs, international diplomats, political power players and even the president’s son. But when their bus is ambushed on a secluded rural road, the teenagers and their chaperones are taken, igniting a national crisis. Now with some of the country’s most powerful parents at the mercy of one vengeful mastermind, the question arises: How far would you go and what would you become to ensure your child’s safe return? With so many parents and dignitaries put into play with nowhere to turn and no one to trust, this unthinkable scenario grows from the select families at risk to an entire nation at stake.

Levitation, telekinesis, the ability to control nature and even predict the future… Since she was 2 years old, Bo (Johnny Sequoyah) has had gifts she could neither fully understand, nor control. Raised by a small group known as the “True Believers,” the orphaned girl has been safeguarded from harmful outsiders who would use her forces for personal gain. But now that she is 10, her powers have become stronger and the threat has grown more dangerous. With her life and future now in jeopardy, the “Believers” turn to the only person they see fit to be her full-time protector. That is, once they break him out of jail. Tate (Jake McLaughlin), a wrongfully imprisoned death row inmate who’s lost his will, is initially reluctant until he witnesses one of her extraordinary abilities. Bo sees people for who they truly are… and who they may become. Tate and Bo begin their journey, one in which trust must be earned. Traveling from city to city, every place they stop and everyone they meet will be changed forever. But they’ll have to keep going to stay one step ahead of the sinister forces after Bo’s power… because it will take a miracle to keep them safe forever. “Believe” also stars Delroy Lindo and Kyle MacLachlan.

It’s not every family that’s brought closer together by divorce, but then again, the Fishers aren’t exactly typical. Take Mel Fisher (J.K. Simmons, “The Closer,” “Law & Order”), for example. Whether it’s chopping down trees, showing his daughter how to drive or playing football with his son, he’s never let the fact that he’s blind slow him down. Then there’s Joyce Fisher (Parker Posey, “Louie,” “For Your Consideration”), possibly the only mom in Pasadena to smoke a pipe. For her, divorce is like a second coming of age, a chance to be the teen she never was. Just ask ‘80s-obsessed teenage daughter Katie (Ava Deluca-Verley, “Southland”), whose clothes Joyce is always borrowing. At the center of all this is Henry (Eli Baker), the Fisher’s 11-year old son. Having always been his dad’s eyes, ears and wingman, Henry’s less than thrilled when Mel shows up with Elvis, a guide dog… which is also how Henry learns about the pending divorce. While reluctant to the changes this dog would bring, it’s through the adult Henry’s voice-over (Jason Bateman, “Arrested Development”) that we find out his parent’s split would “allow all of us to finally discover who we needed to be.”

Based on the best-selling Nick Hornby (“High Fidelity,” “An Education”) novel, writer Jason Katims (“Friday Night Lights,” “Parenthood”) and director Jon Favreau (“Iron Man,” “Revolution”) present a different kind of coming-of-age story. Will Freeman (David Walton, “Bent,” “Perfect Couples”) lives a charmed existence as the ultimate man-child. After writing a hit song, he was granted a life of free time, free love and freedom from financial woes. He’s single, unemployed and loving it. So imagine his surprise when Fiona (Minnie Driver, “Good Will Hunting,” “Barney’s Version”), a needy single mom and her oddly charming 11-year-old son, Marcus (Benjamin Stockham, “1600 Penn”), move in next door and disrupt his perfect world. When Marcus begins dropping by his home unannounced, Will’s not so sure about being a kid’s new best friend, until, of course, Will discovers that women find single dads irresistible. That changes everything and a deal is struck: Marcus will pretend to be Will’s son and, in return, Marcus is allowed to chill at Will’s house. Before he realizes it, Will starts to enjoy the visits and even finds himself looking out for the kid. In fact, this newfound friendship may very well teach him a thing or two that he never imagined possible ? about himself and caring for others.

District 21 of the Chicago Police Department is made up of two distinctly different groups: The uniformed cops who patrol the beat and deal with street crimes, and the intelligence unit, the team that combats the city’s major offenses, such as organized crime, drug trafficking and high-profile murders. Leading the intelligence team is Sgt. Hank Voight (Jason Beghe), a man not against skirting the law in the pursuit of justice. Demanding and tough, only those who can take the heat survive under Voight’s command. Take Det. Antonio Dawson (Jon Seda), for example. Despite a troubled history with his boss, Dawson has ambitions of running the unit. If that means facing off against Voight every day, he’ll persevere. From the street cops with dreams of moving up to the elite crew who are already in, “life on the job” is a daily challenge.

Welcome to the night shift, where every day is a fight between the heroic efforts of saving lives and the hard truths of running a hospital. At San Antonio Memorial, the men and women who work the wee hours are a special breed, particularly adrenaline junkie T.C. Callahan (Eoin Macken, “Merlin”). After a grueling tour of duty in the Middle East, T.C. is about to learn that his toughest battles will be fought right at home. He and his irreverent team of late-night docs, including Topher (Ken Leung, “Lost”) and Drew (Brendan Fehr, “Roswell”), know how to let off steam with the casual prank or two, but when lives are at stake they are all business. Unfortunately, the night shift is now under new management and boss Michael Ragosa (Freddy Rodriguez, “Six Feet Under”) is more interested in cutting costs than helping people. But T.C. has never met a rule he couldn’t break, or a person he won’t stand up to. And it’s clear that not even his ex-girlfriend (Jill Flint, “The Good Wife”) who is a doctor and now Ragosa’s second in charge, has a chance at keeping him in line. If Ragosa wants a war, he’ll get one.

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2013년 6월 27일 목요일

Rainesford Alexandra: What the Bling Ring Asks: Do We Think We're Celebrities?


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Recently, I have become obsessed with some of Hollywood's most obsessive: The Bling Ring, the now-infamous group of California teens who launched themselves to stardom by burglarizing the homes of the likes of Paris Hilton, Rachel Bilson, and Orlando Bloom. There's been enough hype surrounding the Louboutin-wearing, Chanel-snatching brigade to produce a box office success, and the rumors run rampant about what, and even more intriguing, how much, the clique stole: About three million dollars worth in cash, drugs, and belongings. But compared to what they were really chasing, that was chump change. The Bling Ring wanted the lives of celebrities, and the wardrobe to match. They were obsessed.

But sitting there in the audience, watching The Bling Ring flaunt their stolen wealth via Facebook and photograph after photograph, I was left with a probing aftertaste presented in the form of a question: Are we all obsessed? With ourselves?

Aside from the carelessness and utter delusional the members of The Bling Ring operated under, I wondered how much their world mirrored the worlds of thousands of young adults across the country, simply on an amped-up, more diabolical scale. That's what stuck with me: Not what they stole, not who they were, but how much they had to say about it. And how they said it.

That, to me, was easily the most disturbing facet of the story. They didn't care if you knew about what they took from Paris'...they cared if you knew about them. Who they were. How they dressed. What they did. What they got away with. What they had to say. Burglaries and heavy drug usage aside, how are we much different?

We often stray from social media use to downright self-advertising, a line that becomes more and more blurred as technology advances. The benefits of the Internet and social media are virtually limitless; there are young artists, writers, athletes, and thinkers around the world who get their start learning the invaluable skill of self-marketing, something that could arguably benefit any future career endeavor. But where oh where is the space where we drift away from showing the best of ourselves to our "followers" and "friends" -- our work, our funniest anecdotes, our best stories -- to merely being obsessed with ourselves, and assuming everyone else is too?

Most would argue that celebrity enthrallment is now a cultural staple, something that fuels us and intrigues us, something we all engage in. That's true. But I would argue back that the standard for being a "celebrity" has sunk lower and lower, to the extent that our culture no longer idolizes celebrities; we act as if we are celebrities.

With the invention of Vine and the rise of the seflie, it is now possible for the formerly-average human being to become a walking, talking, posting version of US Weekly. Vine is essentially offering the opportunity for every user to produce their own 15-second reality show. Instagram lets users publicize a daily "Who Wore What" edition, outlining their every outfit and accessory. Twitter, slowly but surely, has led us to believe that our every thought must be interesting.

It sounds as though I am against social media, or making an argument against the use of it. I am not; you can find me on Facebook, Twitter, and Instagram, and I am active on all three accounts. But I am curious about how we, as a collective whole, are using it. Some think that we're a population that looks at, and thinks about, ourselves far too much. But I disagree, and I don't think that's the cause of our obsession. I don't think we look at ourselves enough, and I do not mean through a filter on Instagram or in a full-length mirror.

We live in a world of trend and obsession. Not all these trends will be materialistic, just as not all obsessions are negative. Things with power, like social media, are a fascinating blend of virtue and vice: the ability to be an incredible thing or a profoundly bad one. But we live in just that: A world. A world of problems, chaos, and exceptionally bad things. That same world is also full of good, compassion, and notably amazing things. Through social media, we have the power to show who we are to the world. We have the power of our own self-image, but I think we forget to use it. Just as The Bling Ring fell so far down the rabbit hole of glitz and glamour that they seemed to forget their actions were illegal, we've gotten lost between ourselves and our celebrity-selves, the ones we show the world.

It's strange, because you can officially have a record without being arrested. Misunderstandings come and go, celebrity fades away, but social media is forever. And in a sense, so are we. When the whole world is watching... what do you want them to see?

Follow Rainesford Alexandra on Twitter: www.twitter.com/@Rainesford

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All's Quiet On TV? Think Again


NEW YORK -- Television hasn't hit its summer doldrums yet. Between a mysterious dome, a high-wire act and climaxes to the NBA season and "The Voice" singing competition, viewers are finding reasons to tune in.

More than 13 million people watched Monday's opening of "The Dome," a collaboration between Stephen King and Steven Spielberg on CBS, according to preliminary research by the Nielsen company.

That represents the biggest summertime drama debut for any broadcast network since CBS aired "2000 Malibu Road" in 1992, Nielsen said. That's a strong number for the fall, much less the summer. In the series, a see-through dome clamps down over a small town.

The conclusion of a hotly contested NBA Finals between San Antonio and Miami was a winner for ABC. The seventh game, happening after a dramatic overtime conclusion in Game 6, drew 26.3 million viewers on Thursday, Nielsen said. The sixth game had just over 20 million viewers.

The Finals itself averaged 17.6 million viewers through all seven games. That's a bigger average than any series since 2004, with the exception of the meeting of old rivals Boston and the L.A. Lakers in 2010.

Nik Wallenda's windy walk over the Grand Canyon on a tightrope brought people in to the Discovery Network on Sunday. Before the walk, during the show between 8 and 9:10 p.m. EDT, Discovery averaged 6.3 million viewers. Between 9:10 and the show's end 70 minutes later, nearly 10.7 million people were watching, Nielsen said. That represented the most-watched live event in Discovery's history.

NBC's "The Voice" had a strong finale. The 15.6 million people who watched the competition's final night of singing was 31 percent more than the viewership for last year's ending. It led NBC to its best week in the ratings since January, Nielsen said.

The "Mad Men" sixth season finale may not have been good for Don Draper, but AMC will take it. The show had 2.7 million viewers Sunday night for the show's best ratings in a season finale, Nielsen said.

Those last two NBA games helped ABC win the week in prime-time, averaging 6.9 million viewers. NBC had 6.7 million viewers, CBS had 5.1 million, Univision had 3.4 million, Fox had 3.1 million, Telemundo had 1.8 million, ION Television had 1.1 million and the CW had 760,000.

USA was the most popular cable network last week, averaging 2.5 million viewers in prime-time. The Disney Channel had 2.4 million, History had 2.1 million, TNT had 2 million and Discovery had 1.9 million.

NBC's "Nightly News" topped the evening newscasts with an average of 7.5 million viewers. ABC's "World News" was second with 6.9 million and the "CBS Evening News" had 5.6 million viewers.

For the week of June 17-23, the top 10 shows, their networks and viewerships: NBA Finals: San Antonio vs. Miami (Game 7), ABC, 26.32 million; NBA Finals: San Antonio vs. Miami (Game 6), ABC, 20.64 million; "The Voice" (Tuesday), NBC, 15.6 million; "The Voice" (Monday), NBC, 12.68 million; "America's Got Talent" (Tuesday), NBC, 11.75 million; "Skywire Live with Nik Wallenda ? The Walk," Discovery, 10.65 million; "60 Minutes," CBS, 8.41 million; "NCIS," CBS, 8.13 million; "The Big Bang Theory," CBS, 7.66 million; "Winner Is," NBC, 6.69 million.

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ABC is owned by The Walt Disney Co. CBS is owned by CBS Corp. CW is a joint venture of Warner Bros. Entertainment and CBS Corp. Fox is a unit of News Corp. NBC and Telemundo are owned by Comcast Corp. ION Television is owned by ION Media Networks.

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